165442
Level 22 Mixist
02FD
post #165442 ::
2023.01.06 2:46pm :: edit 2023.01.06 2:46pm
sean, Chepaki, Lincent, Flaminglog, YQN, Kot and kinkinkijkin liēkd this
sean, Chepaki, Lincent, Flaminglog, YQN, Kot and kinkinkijkin liēkd this
Rambling time.
As I'm redoing a song I did near the beginning of my musical journey, I remember a feeling at the time that my older work was better at one point around 3 or 4 years ago. I feel like this is a critical point for any musician, personally, because it's usually a sign that you've thrown your best at the wall without realizing it sounds bad because you still don't understand what you're doing wrong, and your older, safer music starts to sound more appealing to you. But you don't know why at that moment. You just know that there's like this hole, this gaping hole in your music that you can't quite figure out why it's there.
Looking back on this song that came just before that, between the period of rapid experimentation, and the "I'm just going to throw some notes on a scale" phase, it reminds me that I used to work differently. Far more melodically, sometimes throwing so many ideas at the listener that it's too much to follow. (It's been interesting to adapt these ideas to become something listenable while retaining all of them in some capacity.)
Anyone else have some stories about a time where they thought their old music was better, but didn't understand why? I recall it was a point where I almost quit, and I'm glad I didn't.
As I'm redoing a song I did near the beginning of my musical journey, I remember a feeling at the time that my older work was better at one point around 3 or 4 years ago. I feel like this is a critical point for any musician, personally, because it's usually a sign that you've thrown your best at the wall without realizing it sounds bad because you still don't understand what you're doing wrong, and your older, safer music starts to sound more appealing to you. But you don't know why at that moment. You just know that there's like this hole, this gaping hole in your music that you can't quite figure out why it's there.
Looking back on this song that came just before that, between the period of rapid experimentation, and the "I'm just going to throw some notes on a scale" phase, it reminds me that I used to work differently. Far more melodically, sometimes throwing so many ideas at the listener that it's too much to follow. (It's been interesting to adapt these ideas to become something listenable while retaining all of them in some capacity.)
Anyone else have some stories about a time where they thought their old music was better, but didn't understand why? I recall it was a point where I almost quit, and I'm glad I didn't.