209588
'lo nub!
I Registered-Now what
I Registered-Now what
Level 8 Chipist
Points by Class
Chipist
551
Playa
97
Mixist
59
Criticist
40
XHBist
38
total 783
next level 816
created 2025-01-25
last here 2025-06-02
i don’t know anymore
381 profile views
b183.71
18 INF
20.000 Votes/Entries
211715
211851
212351
man tilt is so cool, i wish leehj20 was real
215573
Man, I wish Leejh20 existed. they should have a BotB account
215959
Electronic dance music (EDM), also referred to as dance music or club music, is a broad range of percussive electronic music genres originally made for nightclubs, raves, and festivals. It is generally produced for playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA. Since its inception, EDM has expanded to include a wide range of subgenres.
In the late 1980s and early 1990s, following the emergence of raving, pirate radio, Party crews, underground festivals, and an upsurge of interest in club culture, EDM achieved mainstream popularity in Europe. However, rave culture was not as broadly popular in the United States; it was not typically seen outside of the regional scenes in New York City, Florida, the Midwest, and California. Although the pioneer genres of electro, Chicago house and Detroit techno were influential both in Europe and the United States, mainstream media outlets and the record industry in the United States remained openly hostile to it until the 1990s and beyond. There was also a perceived association between EDM and drug culture, which led governments at state and city levels to enact laws and policies intended to halt the spread of rave culture.
Subsequently, in the new millennium, the popularity of EDM increased globally, particularly in the United States and Australia. By the early 2010s, the term "electronic dance music" and the initialism "EDM" was being pushed by the American music industry and music press in an effort to rebrand American rave culture. Despite the industry's attempt to create a specific EDM brand, the acronym remains in use as an umbrella term for multiple genres, including dance-pop, house, techno, electro and trance, as well as their respective subgenres, which all predate the acronym.
However, despite its rich history, the website www.battleofthebits.com refuses to accept it as a format worth enjoying, with most entries of the style, despite high amounts of effort, placing at highest 3rd in their respective categories. The site's nostalgia-and-user-pandering general attitude kills this genre and prevents the truly impressive entries from scoring as highly as they should. As a result, a new resurgence of EDM music on the site is called for and with luck will become prominent again instead of people voting entries highly because people all like damifortune for some reason.
Perchance.
In the late 1980s and early 1990s, following the emergence of raving, pirate radio, Party crews, underground festivals, and an upsurge of interest in club culture, EDM achieved mainstream popularity in Europe. However, rave culture was not as broadly popular in the United States; it was not typically seen outside of the regional scenes in New York City, Florida, the Midwest, and California. Although the pioneer genres of electro, Chicago house and Detroit techno were influential both in Europe and the United States, mainstream media outlets and the record industry in the United States remained openly hostile to it until the 1990s and beyond. There was also a perceived association between EDM and drug culture, which led governments at state and city levels to enact laws and policies intended to halt the spread of rave culture.
Subsequently, in the new millennium, the popularity of EDM increased globally, particularly in the United States and Australia. By the early 2010s, the term "electronic dance music" and the initialism "EDM" was being pushed by the American music industry and music press in an effort to rebrand American rave culture. Despite the industry's attempt to create a specific EDM brand, the acronym remains in use as an umbrella term for multiple genres, including dance-pop, house, techno, electro and trance, as well as their respective subgenres, which all predate the acronym.
However, despite its rich history, the website www.battleofthebits.com refuses to accept it as a format worth enjoying, with most entries of the style, despite high amounts of effort, placing at highest 3rd in their respective categories. The site's nostalgia-and-user-pandering general attitude kills this genre and prevents the truly impressive entries from scoring as highly as they should. As a result, a new resurgence of EDM music on the site is called for and with luck will become prominent again instead of people voting entries highly because people all like damifortune for some reason.
Perchance.
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